Marissa Lôbo: Fuck you queer white supremacy celebration! (2012)

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The video performance developed and performed by Marissa Lôbo in collaboration with Nataša Mackuljak, Alessandra do Santos Silva, Xhejlane Rexhepi and  Noemi Auer is an intervention on  Colonial desire and otherness, sexuality, racialized bodies, contra esthetic,  migrant-precarious bodies,  sex work, society double moral,  and  the regime of Western  bodies politics. Marissa Lôbo is a migrant black activist and […]

Katia Sepulveda: Pascha Revolution (2011)

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Performance on February 14th 2011, Cologne, Germany, 12:30 p.m. “Anticapitalism of love” with Amy Rush. Sepulveda and Rush are having sex at the main entrance of Pascha”, the biggest brothel in Cologne, intervening the „power architecture“, and the hyper-heteronormativity they represent. Katia Sepulveda’s work focuses on questions related to sex, gender and sexuality, resistance to […]

Campceptualismos del sur-Tropicamp, políticas performativas y subalternidad

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Sergio Zevallos (Grupo Chaclacayo), with the collaboration of Frido Martin, from the series “Rosa Cordis”, 1986 19 nov. 2012 al 20 nov. 2012 Auditori MACBA Auditorio MACBA. Entrada gratuita. Aforo limitado. Con traducción simultanea. Proyección por video streaming del seminario Seminario PEI Abierto Dirigido por Beatriz Preciado con la participación de Aimar Arriola, Alex Brahim, […]

Adele Tulli:365 without 377 (2011)

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https://www.youtube.com/watch?v=Ea-dk1KPi28 Imposed under the British colonial rule in 1860, Section 377 of the Indian Penal Code criminalized any sexual acts between consenting adults of the same sex, stigmatizing them as “against the order of nature”. On 2nd July 2009 the Delhi High Court passed a landmark judgment repealing this clause, thus fulfilling the most basic […]

Shu Lea Cheang: I.K.U. (2000)

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Shu Lea Cheang is best known for her 2000 cult smash I.K.U. in which sensual cyborgs fuck for information and pleasure. The film, heavily influenced by Blade Runner, is perhaps the first cyperpunk movie to radically explore the possibilities of cybernetic sexualities. The pioneer in the field of media art embraced internet and hacking culture early on, recognizing both its capacity to enslave as well as liberate, mixing that with queer and sexually explicit imagery bringing something new to the cultural landscape. Cheang describes herself as both a “cyberhomesteader” and a “high-tech aborigine” hinting at meta-levels of not only her own life, but the worlds of her films.

Dušan Makavejev: W.R.:Mysteries of Organism (1971)

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W.R.: Mysteries of the Organism is a 1971 film by Dušan Makavejev that explores the relationship between communist politics and sexuality, as well as exploring the life and work of Wilhelm Reich. The film intercuts documentary footage with, predominantly, a narrative about Milena, a Yugoslav woman who seduces a Soviet ice skater. Despite different settings, characters and time periods, the different elements produce a single story of human sexuality and revolution through a montage effect.

Zemira Alajbegović/Neven Korda: Staro in Novo (1997)

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Staro in novo je dokumentarec o posnetkih FVVidea. Rekonstruira živahni vrvež na ‘ljubljanski subkulturni sceni’ v 80-ih letih. Množico dokumentov in video posnetkov, nastalih od 1982 do 1989, sta avtorja združila v enourno pripoved, v kateri se melanholična zgodba posameznika prepleta s tokom družbeno-kritične subkulture in širšim zgodovinskim okvirjem – manično jugoslovansko socialistično realnostjo.

Marina Gržinić/Aina Šmid: Icons of Glamour, Echoes of Death (1982)

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The video is about the phantasmatic world of a woman stereotype portrayed as a model (Marina Grzinic)/apparently a transvestite (that switches through language between sexes, being she and then suddenly he), and her friend – a hermaphrodite (Aina Smid). They remember their childhood, the years in school and the first experience with masturbation.This work is possible to be seen as one of the first if not the first in the field of video art in the world that opens and dramatise the institution of masculinity through drag practices in socialism.

Derek Jarman: Blue (1990)

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Blue is at once Jarman’s most moving film and his most experimental and idiosyncratic. Visually, the film comprises of nothing more than a blue matt screen, over which Nigel Terry, John Quentin, Swinton and Jarman himself read passages from his diaries that poetically trace his struggle with AIDS, his increasing blindness, the loss of friends […]

Monica Treut: Gendernauts (1999)

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GENDERNAUTS explores phenomena of gender fluidity at the end of the millennium in the Bay Area, California. It is a film about cyborgs, people who alter their bodies and minds with new technologies and chemistry, with an emphasis on biological women who use the male sexual hormone testosterone. We get to know San Francisco’s leading […]

Virginia Villaplana: Retroalimentación (1998)

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En Retroalimentación Virginia Villaplana reúne las prácticas fotográficas de intervención cultural queer  que desde 1990 ha desarrollado el colectivo activista  LSD y Fefa Vila, una de sus fundadoras, en España. Con una factura de videoclip experimental se muestran las obras que a lo largo de la década de los 90 llevó a cabo este colectivo […]