Marina Gržinić/Aina Šmid: The Threat of the Future (1983)

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With the song by Yello “Pin ball cha cha” and the singer that invites us to watch by singing “Come, come closer to me, I tell you man you will see…” we enter in the dance performed by Marina Grzinic. The public is in relation to the dance as in a peep show, implying a pornographic camera eye but as well a certain cannibalisation/pornographic perpetuation of our lives by the law and mass media that from 1980s will transform the paradigm of society and discipline into society and control. Therefore we have a duplication of roles, Marina Grzinic and Aina Smid in front of the camera as in some kind of cinema verite (talking about their sexual lives and lesbian attitudes) and Grzinic/ Smid on the TV behind them as a night show.

Marina Gržinić/Aina Šmid: Icons of Glamour, Echoes of Death (1982)

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The video is about the phantasmatic world of a woman stereotype portrayed as a model (Marina Grzinic)/apparently a transvestite (that switches through language between sexes, being she and then suddenly he), and her friend – a hermaphrodite (Aina Smid). They remember their childhood, the years in school and the first experience with masturbation.This work is possible to be seen as one of the first if not the first in the field of video art in the world that opens and dramatise the institution of masculinity through drag practices in socialism.