Barbara Caspar: Who’s Afraid of Kathy Acker ? (2008)

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A multi-layered work featuring animation, archival footage and interviews with the likes of William Burroughs, Carolee Schneemann and Richard Hell, Who’s Afraid of Kathy Acker by Austrian artist Barbara Caspar and co-produced by Annette Pisacane (Nico Icon) and Markus Fischer, is a thoughtful and creative film biography/essay on the late outlaw writer and punk icon, whose formally inventive novels, published from the ’70s through the mid-’90s, challenged assumptions about gender roles, sexuality, and the literary canon.

Isaac Julien: The Attendant (1993)

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The plot revolves around sexual fantasies aroused in a middle-aged black male museum guard — or attendant — by a young white male visitor. Much of the action takes place after closing time. As the guard paces the galleries, a huge 19th-century painting titled “Slaves on the West Coast of Africa”, by the French artist François-Auguste Biard, comes to life, its melodramatic scene of a white master bending over a dying black slave transformed into an up-to-date, leather clad sadomasochistic grouping.

TROPICAL VIDEO ACTIVISM. Transformative Illegalities & Post-Porning Genders

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Curated by Fernanda Nogueira

March 7, 2015, 4-9pm, VBKÖ, Vienna

This screening program stems from the urgencies of a collective body, a body formed by fragments, a mutant, which resists any classification, provocative, unsatisfied, which creates new ways of living by acting in the territory of transgression. Tropical Video Activism presents video productions – either registers of actions or more experimental poetics – as signs to make visible, read and spread social transformations, which are in furious excitement in the public sphere in many Southern geographies.

These processes are not happening just in a single territory. We can map the social effervescence, the networks arising and intensifying the emergence and encounter of new transborder communities capable of sharing activist tools and circulating critical information which in the past could only be found in independent, underground and thought marginal networks. Facing the urgency of action and its various potentialities in these different territories, the modern categories such as “originality” or “authenticity” are turned obsolete. In contrast, a broader notion of “network” is strengthen daily in the configuration of a collective battlefield […]

Dalila Kadri: Lucioles (2004)

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directed by Dalila Kadri, 2004 The documentary-alternative film “Fireflies (Lucioles)” is part of a European Commission project called “Lesmigras” (migrant lesbians), whose objectives are to fight racism, sexism and homophobia inside the European space that started in 2001 and closed in 2004. As the producer and the director of the movie, I choose to show […]

Gabriel Baur: Venus Boyz (2002)

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A legendary Drag King Night in New York is the point of departure for an odyssey to transgendered worlds, where women become men – some for a night, others for their whole lives. What motivates them. What changestake place? What do they dream of? The drag kings of New York meet in clubs and change lustfully into their male alter egos, parodying them and exploring male eroticism and power strategies. In London we see women experiment with hormones to become new men and “cyborgs”. Masculinity and transformation as performance, subversion or existential necessity. An intimate film about people who create intermediate sexual identities.

Berwick Street Collective: Nightcleaners Part 1 (1975)

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Nightcleaners Part 1 was a documentary made by members of the Berwick Street Collective (Marc Karlin, Mary Kelly, James Scott and Humphry Trevelyan), about the campaign to unionize the women who cleaned office blocks at night and who were being victimized and underpaid. Intending at the outset to make a campaign film, the Collective was […]

Zemirah Moffat: Mirror, Mirror (2009)

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Queer Giving is the material realisation of a practice-led research project into contemporary radical queer ways of being. It is one thesis composed of the film Mirror Mirror and the paper One Queer Gift. They are derivatives of my ethnographic investigation into the radical queer vision of London’s Club Wotever (2003-). Working within the potentials of their respective forms, both film and paper argue that radical queer identities, as found in the major urban centres of the metropolitan West, derive their multiple-meanings, integrity and raison d’etre within and through dialogue. Characterised by audio-visual provocation and cautious disclosure, Mirror Mirror reflects this formative feedback through its text and narrative drive.

Jochen Hick, Andreas Strohfeldt: Out in East Berlin-Lesbians and Gays in the GDR (2013)

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Paragraph 175, which made homosexual behavior punishable by law, was abolished in the German Democratic Republic (GDR) in 1968. At that time, heterosexual nuclear families constituted the center of socialist society, and homosexuality was considered a peripheral issue in the GDR. Out in East Berlin—Lesbians & Gays in the GDR tells the impressive-to-absurd personal histories […]

Marissa Lôbo: Fuck you queer white supremacy celebration! (2012)

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The video performance developed and performed by Marissa Lôbo in collaboration with Nataša Mackuljak, Alessandra do Santos Silva, Xhejlane Rexhepi and  Noemi Auer is an intervention on  Colonial desire and otherness, sexuality, racialized bodies, contra esthetic,  migrant-precarious bodies,  sex work, society double moral,  and  the regime of Western  bodies politics. Marissa Lôbo is a migrant black activist and […]

Katia Sepulveda: Pascha Revolution (2011)

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Performance on February 14th 2011, Cologne, Germany, 12:30 p.m. “Anticapitalism of love” with Amy Rush. Sepulveda and Rush are having sex at the main entrance of Pascha”, the biggest brothel in Cologne, intervening the „power architecture“, and the hyper-heteronormativity they represent. Katia Sepulveda’s work focuses on questions related to sex, gender and sexuality, resistance to […]

Campceptualismos del sur-Tropicamp, políticas performativas y subalternidad

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Sergio Zevallos (Grupo Chaclacayo), with the collaboration of Frido Martin, from the series “Rosa Cordis”, 1986 19 nov. 2012 al 20 nov. 2012 Auditori MACBA Auditorio MACBA. Entrada gratuita. Aforo limitado. Con traducción simultanea. Proyección por video streaming del seminario Seminario PEI Abierto Dirigido por Beatriz Preciado con la participación de Aimar Arriola, Alex Brahim, […]