Shu Lea Cheang: FLUIDØ (2017)

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Following the acclaimed cyberpunk movie I.K.U., which premiered at the 2000 Sundance Film Festival and screened worldwide, Shu Lea Cheang is set to direct FLUIDØ in 2015 with Jürgen Brüning Filmproduktion and Berlin-based crew and cast members.

Set in the post-AIDS future of 2060, where the Government is the first to declare the era AIDS FREE, mutated AIDS viruses give birth to ZERO GEN – humans that have genetically evolved in a very unique way. These gender fluid ZERO GENs are the bio-drug carriers whose white fluid is the hypernarcotic for the 21st century, taking over the markets of the 20th century white powder high. The ejaculate of these beings is intoxicating and the new form of sexual commodity in the future. The new drug, code named DELTA, diffuses through skin contact and creates an addictive high.

Giuseppe Campuzano: Museo Travesti de Perú (2009-2013)

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El Museo Travesti de Perú nace de la necesidad de una historia propia —una historia del Perú inédita—, ensayando una arqueología de los maquillajes y una filosofía de los cuerpos, para proponer una elaboración de metáforas más productiva que cualquier catalogación excluyente. Lo travesti se plantea entonces como subversión de la condición espuria que tanto el museo tradicional, como los presupuestos sociales, le endilgan. Al respecto, contextos históricos tan diferentes como el Perú prehispánico y el marco propuesto por Magnus Hirschfeld durante la República de Weimar, admiten todo un rango de posibilidades entre los extremos de lo masculino y lo femenino.

Jai Arun Ravine: Tom/Trans/Thai (2013)

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Tom / Trans / Thai is a short experimental film that approaches the silence around female-to-male (FTM) transgender identity in the Thai context by addressing tom and trans-masculine identities in Thai and Thai American communities and the transnational relationships between gender and language.

Interviews conducted with Thai and Thai American toms and trans-masculine people are channeled through the moving body in an effort to locate ourselves in the Thai landscape and create a new language for our kind of being.

Wu Tsang: Wildness (2012)

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Directed by Wu Tsang. Wildness is a portrait of the Silver Platter, a historic, LGBT-friendly bar on the eastside of Los Angeles that has catered to the Latin immigrant community since 1963. With a magical-realist flourish – the bar itself becomes a character in the film – Wildness captures the creativity and conflict that ensue when a group of young, queer artists of colour (Wu Tsang, DJs NGUZUNGUZU and Total Freedom) organise a weekly performance art party, called Wildness, at the bar. What does ‘safe space’ mean, and who needs it? The search for answers to these questions creates coalitions across generations.

Michael Kasino: Pay it No Mind: The Life and Times of Marsha P. Johnson (2012)

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This feature-length documentary focuses on revolutionary trans-activist, Marsha “Pay it No Mind” Johnson, a Stonewall instigator, Andy Warhol model, drag queen, sex worker, starving actress, and Saint. “Pay It” captures the legendary gay/human rights activist as she recounts her life at the forefront of The Stonewall Riots in the 1960s, the creation of S.T.A.R. (Street Transvestite Action Revolutionaries) with Sylvia Rivera in the ’70s, and a New York City activist throughout the ’80s and early ’90s. Through her own words, as well as in-depth interviews with gay activist Randy Wicker, former Cockettes performer Agosto Machado, author Michael Musto, Hot Peaches founder/performer, Jimmy Camicia, and Stonewall Activists Bob Kohler, Danny Garvin, Tommy Lanigan-Schmidt, and Martin Boyce, Marsha’s story lives on.

Queer African Reader

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Sokari Ekine, Hakima Abbas (ed.)
2013, Pambazuka Press.

As increasing homophobia and transphobia across Africa threatens to silence the voices of African Lesbian, Gay,
Bisexual, Transgender and Intersex (LGBTI) people, the Queer African Reader brings together a collection of writings, analysis and artistic works that engage with the struggle for LGBTI liberation and inform sexual orientation and gender variance.

Alianzas tullido transfeministas a traves de la sexualidad y la postpornografía

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Presentación y proyección de vídeo a cargo de Pornortopedia y postporno tullido Nexos. Con la participación de Post-Op, Lucrecia Masson y Patricia Carmona.

La idea es contribuir al imaginario pornografico con la visibilización de cuerpos que se salen de los parámetros de normalidad corporal (tullidos, marimachos, trans, gordxs…) y mostrar como deseables las prácticas a las que estas corporalidades invitan.

“No es lo que el postporno puede hacer por la personas con diversidad funcional, sino precisamente estos cuerpos que se mueven y sienten de una manera no mayoritaria lo que pueden hacer por la sexualidad colectiva, ampliando prácticas e imáginarios.”

Shola Lynch: Free Angela and All Political Prisioners (2012)

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Writer/director Shola Lynch follows up her 2004 documentary Chisholm ’72: Unbought and Unbossed with this film centered on the struggle of educator and activist Angela Davis, an outspoken UCLA professor whose affiliation with the Communist Party and the Black Panthers landed her on the FBI’s Ten Most Wanted list while challenging our perceptions of political […]

Luis F.Bernanza/Margaret Gilpin: Mariposas en el andamio (1996)

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by Luis Felipe Bernaza, Margaret Gilpin

After the Revolution, gays were not respected in Cuba, but in the small Havana neighborhood of La Güinera, a few courageous women came to power and encouraged the gay community. Glamorous gowns fashioned from grain sacks and eyelashes made out of carbon paper are the reality of drag in Cuba. In La Güinera, gay transvestite performers have earned respect and status through creative work for the neighbourhood. On stage action and backstage preparation opens out into insightful interviews with community leaders, families, and the performers themselves.